In a world rich in chamber music groups a new piano trio is raising some eyebrows. The White Oak Trio, consisting of pianist Meryl Ettelson, violinist Steven McMillan and cellist Martha Lisle, is emerging as one of the most notable piano trios to come out the United States in a long time. They will soon find themselves with a reputation as one of the most sought after ensembles on the international scene.
The concert opened with Beethoven’s Trio in E flat, Opus 70, No. 2., and one could not help but notice the fluidity and precision with which the White Oak Trio performs. It is apparent that although relatively new as a group this is an ensemble of seasoned veterans. They are well known virtuosos on their respective instruments and are able to hold their own even in the most exalted company.
The second offering of the recital highlighted the group’s commitment to performing works which are new or recently composed; in this case David Bernstein’s “Three Autumn Moods and Images.” This work composed in 1990, utilized musical themes from the Protestant hymn “Come, Ye Thankful People, Come”, two Jewish dances, and original through-composed material. The colorful nuances and shadings of the string writing were enhanced by the virtuoso playing of McMillan and Lisle. Composer Bernstein flew in especially to attend this performance. Afterward he remarked that
“The performance by the WHITE OAK TRIO of “Late Autumn Moods and Images” gave me a great deal of satisfaction. Their enthusiasm and passion for the work was clearly displayed in the brilliance of its technical execution and the wonderful musicality which they brought to every aspect of the composition. They are an outstanding group of performers and it was indeed a pleasure to hear my work re-created by them.”
—David S. Bernstein, composer
http://www.davidbernsteinmusic.com
Following the intermission the White Oak Trio presented one of the “crown jewels” of the piano trio repertoire—Mendelssohn’s Trio in D minor, Opus 49. In this work they proved conclusively their right to be ranked among the world’s outstanding interpreters of chamber music. Pianist Ettelson, regarded as an expert on the keyboard works of Mendelssohn, played with such energy and vitality that the audience was noticeably swept into the excitement. Combine this with violinist McMillan’s extensive color pallet and Lisle’s silky, smooth, lyrical cello playing and you get a truly remarkable ensemble destined for the top!
The performance was presented at the historic Heinen Theater located on the campus of Houston Community College on November 9, 2005.
—Leo Knoll